Tuesday, September 30, 2003
ADOLPHO THE THIRD: Installment the Next
(Note: This is the third hunk of a serialized story that I’m posting this week for reasons that will remain locked in the darkest chambers of my bosum for the time being. For part one, look back here. Part two appears here. Now, buckle up and keep your hands and head inside the tram, it’s time for the next installment of:)
ADOLPHO’S BIG NIGHT:
II. THE PROFESSIONALS
Adolpho had been bopping along to the beat, resting his eyes and savoring the physical sensation of a deep, strong bass line. As he raised his glass to drain the final mouthful of lager, he stepped back for balance. Swallowing, he lowered the glass. “Buy you another?” The voice in his ear was honeyed. The speaker was also honeyed, and tall and beautiful. She had a slim and striking physique, high cheekbones and feline eyes, expensive blonde hair and perfect makeup. Her tiny black dress looked more like a tattoo than clothing. Adolpho checked to either side to see to whom she spoke. There was no one else around.
Returning his gaze to her, she smiled broadly. “You mean me?” he asked.
“Sure, it looks like you’re fresh out. What are you drinking?”
“Whatever you like,” he replied. “Beer, I guess. Lager.” She flashed a wink that turned his knees to water, and turned on a stiletto heel toward the bar. Adolpho leaned on a nearby table and watched her go to capture the bartender’s attention. He was too stunned to smile, but glanced around to see whose table he’d crashed - to see, in fact, if anyone was there who had noticed his good fortune.
The three women at the table gleamed like gems in the dusky light of the club. They resembled each other in only two regards: they were female and they were gorgeous. A redhead with sweet cream skin and a necklace that dripped real diamonds grinned at him, leaning forward on her elbows and flipping her hair over a bare shoulder. “How’s your evening treating you?,” she asked. “Pretty good so far,” Adolpho managed to reply; with a supreme effort he tore his eyes from hers to see what the others at the table made of the situation.
A woman with dark skin, limpid eyes and phenomenal muscle tone seemed to be trying to restrain a smile, with only partial success. She whispered, “Hi,” in a voice that sounded the way cardamom smells, and lowered her eyes to her drink. She glanced back to him, giggled just a little, and shrugged coyly. The woman standing next to her had hair that was streaked blonde and black; she was tanned and shapely, with a regal bearing. She leaned over to the darkskinned one to whisper something in her ear, looking over Adolpho with mint green eyes, bemusement playing across her brow. The dark one started nodding, wrapped long slim fingers around the other’s forearm and replied in another brief whisper, blushing but smiling openly. The tan woman nodded briefly, straightened up and pouted her lips slightly before saying, “I’m Amanda. This is Luz, and this is Claire. Did you already meet Tressa?”
Tressa returned from the bar with Adolpho’s lager and a cocktail for herself. “Yes he did,” she replied, placing his beer in front of him and draping an arm around his waist. She pressed against him, conforming to his posture and radiating a wild heat into him. “Here’s your beer. What have they been telling you about me?” Adolpho almost opened his mouth to reply, but he held back. He knew he had to take his time - one wrong word, he thought, and he’d just wake up in his own bed and all of them would be gone, irretrievably lost among all the dreams he wished he could redream.
Claire relieved him of this anxiety by speaking first. “Nothing, darling,” she said with a grin. “Why should I talk about you when I’m so much more interesting?” Tressa playfully pushed Clair’s shoulder, her fingers lingering just a moment against that impossibly velvety skin. The slight force of that gesture pushed Tressa more firmly against Adolpho, and her hand, wrapped around his hip, gave him a barely perceptible squeeze. Claire continued, looking deeply into Adolpho’s eyes, “Just because she saw you first doesn’t mean anything. I think you’d be smart to play the field.” Adolpho looked back to Luz and Amanda.
Luz licked her lips with a subtle yet compelling flick of her tongue. “Thank you for joining us,” she said. Her voice was low and rich. “I hope you aren’t too busy to spend a few minutes.” “No,” Adolpho managed to reply, “I have a few minutes. Oh, and thanks for the beer,” he continued, tearing himself away from Luz to speak to Tressa, who was leaning ever closer to his face. Her breath warmed his neck. He was becoming distracted; he felt the others looking at him as he looked at Tressa. The ball was in his court. He turned back to Luz, “But are you sure a few minutes will be enough?” Her eyes brightened and she laughed, bouncing a bit on her toes. “I’m sure it would be better if you took your time,” she said, and the smile faded on her lips as her eyes drilled into his.
A woman with jet black hair and fair skin strode purposefully to the table, staking a claim to the spot between Luz and Claire. She wore sheer slacks that shimmered with her every movement, and her bare midriff was flat and muscular. Like her friends, she was an exceptional specimen. “I thought I told you not to get started till I got back,” she told Claire in a stage whisper. “Damn, I take five minutes in the ladies room and I miss all the fun.” Claire remonstrated, “We haven’t even started yet. You’ll have your chance.” The new woman grinned and extended an elegant hand to Adolpho in greeting. “I’m Jasmine,” she announced to him. “So very glad to meet you,” he replied. “The pleasure is mutual,” she responded, her broad smile relaxing as she gave his hand a demure squeeze that sent an electrical charge right up his arm and through his whole body. “Anyway, I’m sure it will be,” she added softly. Adolpho grabbed his beer and drank about half the pint in a few swallows, hoping the cold crisp liquid would ground him, keep him cool.
Claire had been quietly watching the others exchanging glances and pleasantries and reached across the table to put her hand over the hand with which Adolpho held his beer. “Actually, I’m a little dry. May I have a sip of your beer?” He smiled his assent and together they raised the glass to her mouth. As she drank deeply, she looked at him with such intensity he was sure she was reading his mind - and, incredibly, was endorsing the lewd fantasies that were now arising unbidden from his libido. Her hand was warm and her fingers interlaced among his as they put the glass back on the table. “Mmmmm,” she sighed, and he felt the vibrations of her voice through their joined hands. She continued, “You know, I wasn’t sure about coming here tonight but they told me I’d have a good time. Sometimes you’ve just got to go with your instincts, you know? Sometimes you really need to separate yourself from what you’re doing and let life take over. It’s been so hard to hold myself back these past months - we’ve all been working so hard, always on the road, always having to put ourselves second so we can be perfect for someone else. What a pleasure to be in the present moment, to really feel things. To enjoy myself for a few minutes, just for the sheer pleasure of being alive.” The others nodded and murmured their agreement.
Amanda unwrapped her arm from his waist and leaned into the table. “Girls, you know we can’t stay here all night. Let’s finish our drinks and take the limo back to the suite. We can have more fun if we have more room.” Adolpho looked for confirmation to the others, who seemed to shimmer with enthusiastic anticipation. Luz spoke first: “Go on, finish your beer. We have all night. Don’t let her rush you.” “I’m not rushing,” he replied as he gulped what was left of his pint. “I’m ready when you are.” As they grouped around him and escorted him from the club, a stretch Escalade pulled up to the front door; a statuesque woman in a grey hat and tight dark business suit stepped out efficiently to open the car door for them. “Okay,” he though to himself, “now things are getting really interesting....”
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Monday, September 29, 2003
ADOLPHO’S BIG NIGHT: Chapter 2
(Note: This is the second piece of a serialized story that I’m posting this week while I concentrate on a few other matters with my writing time. For part one, look back here. Now, let’s hunker down for the thrills and excitement of:)
THE FAMILY
Adolpho had been bopping along to the beat, resting his eyes and savoring the physical sensation of a deep, strong bass line. As he raised his glass to drain the final mouthful of lager, he stepped back for balance. A hard elbow caught him in the kidney and he gasped, choking on the now-flat beer. Eyes watering, he turned abruptly. Before he could stop coughing and focus on whoever had struck him, a meaty hand on a massive arm thrust forward to seize hold of him, fingers wrapping around his throat, squeezing, nearly circling his neck. Adolpho�s eyes continued to water and his tongue began to swell as he gaped at his attacker, and the three other men who were clearly with him. They were grim-faced, all wearing tailored suits and silk neckties. One was short, with an ugly scar at the corner of his mouth; one, of standard height and weight but with a robust build and dour sneer; one, who might charitably be called husky; and the one outsized gargantua who was nearly lifting Adolpho from the ground by his larynx.
�What the hell brought you back here?� the standard sized suit asked. His voice was flat and rather quiet, but cut through the music and the throbbing in Adolpho�s ears like a cleaver through a chicken�s neck. �We explained the rules. You can’t just disrespect us like this. You know what happens next.� Adolpho tried to speak but his tongue had filled his mouth and there was no air getting into or out of his lungs. The scar clucked a slow disappointment, shaking his head, his eyes fastened to Adolpho�s with cold intensity.
The husky man reached into his suit and pulled out a cell phone, asking �Should we tell the captain?� �Sure,� replied the flat-voiced man, �and Cliff, you can let him breathe, but don�t let him slip away. We know this guy can run.� The bratwurst fingers relaxed a micron or two and air poured into Adolpho�s straining lungs. Beer dribbled from his lips and his eyes were wide and frightened. �I�ve never been here before!,� he gasped. �Who are you?� The husky one pointed a finger at Adolpho, and Adolpho stared at it. With shocking suddenness, he lashed out a kick against Adolpho�s knee, the heavy leather shoe smashing his patella. As Adolpho fell forward and a scream welled up in his throat, the flat-voiced one locked him in a chokehold that killed the cry. �We�re leaving now,� he gravely intoned. �Make the call outside.�
Outside, the air was crisp and the sky was dark. Husky still had the phone in his hand and pressed a speed dial code. As he brought the phone to his ear, however, he toppled backwards with a choking sound. Six enormous men who’d been loitering on the sidewalk outside had swarmed into a tight half-circle around them; one of them had stepped behind husky and pulled a wire garotte from his sleeve, with which he was cutting through the flesh of Husky�s throat. Scar stepped quickly to the side, reaching into his jacket. One of the other six men thrust a dark cylindrical object toward Scar, and a sound that Adolpho had never heard in person � but which he recognized from movies - repeated several times: the sharp hard rasp of a silencer on a handgun. Scar�s body spun in a quick pirouette and he fell to the cracked pavement.
The garotter let the now-motionless Husky fall next to him, and their blood mingled as it flowed into the gutter. Flatvoice, with a strange calmness, smiled with his lips and held his hands out to the sides - �Now look, we only need to talk to him, no one needs to take this any further - �
A man from the new crew took hold of one of Flatvoice�s outstretched arms with one hand and, with the other, pulled a huge and heavy blade from beneath his coat, more of a sabre than a knife. With a single fluid motion he sliced through his forearm, let the dismembered hand fall to the sidewalk, let Flatvoice collapse to his knees, gazing in disbelief for a moment at what had happened. The manmountain who�d been strangling Adolpho threw himself to the sidewalk with surprising agility, rolling and pulling out a sidearm. Shots rang out, not silenced, and one of the new crew flew backwards. Gore spattered the outer wall of the club. Three others pulled their weapons and dispatched the giant and what was left of the man with the flat voice.
Adolpho shook with fear and nausea. The men who now surrounded him were heavily muscled and hardlooking, but looked on him with wry approval. �Way to go, kid. They said you wouldn�t have the balls. Now let�s get back to the office - we have a surprise for you. We think you�re gonna like it.� �Okay,� Adolpho gasped, casting a glance over the carnage sprawled across the sidewalk, five corpses like so many bags of garbage left for city clean-up crews. He saw no option but to accompany these men who’d saved his life, wherever they were going. He thought to himself, �now things are getting interesting...�
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Friday, September 26, 2003
The Spirit and the Flesh: Chuckles Looks Inward; Adolpho Steps Out
Good yontiff to you all. Tonight begins one of my most intense periods of introspection and spirituality, the head of the year or Rosh Hashana - the first of ten days in which my forebears tell me I should clear my karma and get my head on straight. I’m not too good at following such orders usually, but this particular holyday really works for me. The hollow blast of shofars, the parables and prayers that salvage for me a sense of self-worth even in the midst of self-abnegation, the official permission to hit “restart” - I get a lot out of this process.
Maybe I’ll hear something tonight or tomorrow that will be worth sharing with you all here; maybe not. That’s not why I go. However, I’d be sorely distracted if I thought I wasn’t keeping up with my posts during my renewal phase - I’m just that shallow. What’s more, you all have given me a significant psychic boost in this past year, and I know you’ll be in my mind as I daven with the jewbu-s of Chochmat HaLev. Y’all are stuck in my head, whether I like it or not. I need to make accomodations for you if I hope to keep my focus where it belongs.
So here’s my proposal: Last year I wrote a story or five. (Not sure which.) The way it’s set up, though, gives me posting material for today and all of next week. So I’ll post the first portion here and now, and next week I’ll put up the rest, one chunk at a time. It’s kind of long (even by my standards) so you might just burn out on it. That’ll be fine. I’m comfortable dumping too much here for you; it’s the failure to dump enough that would ride my mind. So without further ado, I humbly present:
ADOLPHO’S BIG NIGHT
Adolpho stood with his back to the door while the others crowded around a cocktail table, leaning over it, focused on the effort of conversing over the throb of the house mix. The unfinished brick walls of the club compressed the long room, enforcing conviviality among the many nighthawks stopping in for drinks. Strangers were starting new friendships and friends forged new intimacies over finger food and tidy cocktails. Adolpho and his party stood near the back, where a dj spun vinyl in front of the door of a huge safe from which the front face had been removed, replaced with glass that exposed the massive mechanisms inside. The postindustrial tone was echoed by rippling plastic sheeting running the length of one wall and fiber-optic sputniks opposite it over the bar. The light was low but not dim, the air was rich but not thick, and the sound was pervasive but not intrusive.
They were seven in number at that cloistered corner of the unfamiliar venue - three women and four men, six each with a scant wedge of the table and Adolpho a pace or two to the side. He wore a black cap with a black brim, a loose jacket and sturdy trousers. His dark hair shone against the olive skin of his face; his dark eyes were half-hidden by drooping lids; he nodded his head, barely perceptibly, to the music.
The others with whom he’d arrived that evening formed a disparate group of old friends, new friends, and virtual strangers, newly arrived in town for a conference. As with any random handful of people, they found they shared certain common traits and tastes, the discovery and celebration of which occupied their full attention. Each strained to hear and share the others’ contributions, eager for that tidbit which would reflect their own experience, that would reinforce their nascent affiliation. Their drinks were sweating on the table and their foreheads nearly touched as they leaned to glean the gems of conversation each was casting, thirsty for every word that could be heard above the pulsing beat.
One, who stood with her back to the dj, glanced up, then stood and looked around, surprised. The room was not so crowded as it had been just moments earlier. “What happened to Adolpho?,” she inquired. The others set aside their conversation and joined her as she peered into the murky corners of the club. “Where’s Adolpho?,” was their joint refrain.
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Thursday, September 25, 2003
Deer Diary
It was the shank of the evening and we were full. I mean, really full. Whenever we eat at Andy and Heidi’s place, eating too richly, too many things and too much of them are the house rules. Good thing Andy’s my doctor or I wouldn’t trust him.
So supper was over and our eyes were slightly bulging from the mountains of food we’d eaten. Time for a nice post-prandial meander along the dark wooded streets twisting through the steep hillside where Andy and Heidi live up near Grizzly Peak. Grizzly Peak is an anacronistic misnomer - there are no more grizzlies around there. Lots of wildlife, but not carniverous bears. Mainly just coons, polecats, gophers, voles - and, of course, the deer. Andy calls them rats on stilts, but it’s fun to see wild deer - a fawn shyly nibbling from a rosebush or a doe demurely peeking from thick underbrush. Noble creatures.
Chaz and Lori and Kel and I ambled aimlessly along the narrow serpentine lanes, breathing clean ionized night air and peering out over the university and city and bay and other city and both bridges from on high. We chatted about work and life and love and generally silly stuff, as always. And then we held up, confronted by something I’d never before encountered - a tough deer.
This was more of a buck, I suppose. A big boy. Eight or ten point rack, and he was very close, looking straight at us, lowering his head a foot or two to stare us right in the eyes. He was in the front hedge of a house just down from Andy’s place, helping himself to some tasty shrubbery. His jaw worked the foliage slowly, deliberately, like a pitcher or a gunslinger with a chaw of cutleaf. His eyes were blacker by far than the starless night that surrounded us. Saliva dripped from his jaws in a foamy viscous cascade. Without taking his eyes off of us he pulled another mouthful of leaves from the lovingly and expensively tended bush, daring us to stop him.
We stood frozen for several minutes, wondering if it was safe to pass as he masticated his way through the neighbor’s garden. We wanted him to go away and leave us an open road. No dice, he communicated wordlessly, munching along almost belligerently in front of us. After several minutes of waiting, we figured that it would be safer for us to sneak by while he was still occupied with his meal, than when there was nothing else to distract him. One at a time we filed past, hugging the opposite curb, trying not to look at him or his crown of swords.
Okay, so it was a deer - ‘just a deer.’ And I have been given the “move on” by a rutting elk. But so what. We were drunk and he was huge; his head was a deadly weapon and we didn’t even have a cellphone. Maybe we could have taken him, if we’d had to. It wasn’t worth finding out. Once we got back to Andy’s place I had more wine, and possibly some bourbon. Calms the nerves, don’t you know.
that's just the way it seems to me at 12:09 AM
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Wednesday, September 24, 2003
The Writing on the Wall
Things are intense for me these days - work is in its apogee season, bargaining is starting up again and I have to find some actuaries for “our” side, I have a head cold and my weekend will be substantially taken up with going to services for the cool holidays (I skip the other ones, but RH and YK are like a sauna for the soul). So here, to ward off my anxiety that anyone would visit the ‘hut and find nothing new under the sun of a given workday, here’s a few notes from my back-pocket notebook.
Heeding the example of my biblical namesake, I like to read the writing on the wall - any wall - and sometimes it makes no more sense to me than it did to that other Daniel. Read slowly, these have to last all day.
* Sign on the side of a worksite pickup truck: Shooter and Butts Landscape Contractors. 1) Sounds more like a plumber or maybe an outcall proctologist. Given these two principals, almost any other name would have been better. How about “Garden Party Landscape Architects?” “Brave New World?” “Open Trench?” Come on guys, if “Shooter and Butts” is the extent of your creative capacities, why would I want you deciding where to bed my lobelias?
* “Quickley Tapioca Drinks” has changed its name to “T & A Tapioca.” Now, I like tapioca as much as the next guy, if not more - I enjoy chewing my beverages, and fish eyes never tasted so good as when they’re floating in pureed watermelon and mango. But T & A is a misnomer. Everybody was fully dressed, and even the marischino cherries were covered up. I feel ripped off.
* Near T & A is one of my favorite shops, Kamei Housewares. Shopping there recently for a cherrypitter and a melonballer (yes I did), I noticed their dingy cornflower-blue refuse pail behind the register, looking tired and dirty and overfull. It’s got a crude but cute cartoon on it of two happy children on a patch of grass, big heads, big eyes, real insulin-shock stuff. Above them appears the following: In large letters, “GOOD”; and below that, in smaller printing: “I love all beauteous things. (/) I seek and adore them.” That’s a good lesson, trash can. Live the dream.
* And finally, for this morning anyway: a few days ago was “talk like a pirate” day, which I assiduously ignored, being the antisocial curmudgeon that I am. However, despite my best intentions, I couldn’t help misreading a budget proposal for “Outsourced Private Attorney Assistance” as “Outsourced Pirate Attorney Assistance.” I have so many good ideas about how to make this work that it scares me. Are these outsourced pirates, to help attorneys? Or Pirate attorneys, outsourced to provide assistance? Or maybe a plea for outsourced assistance for those overworked pirate attorneys? Even when I get the words right, I can’t help but pronounce it mentally as “Outsourced private attorney arrrsistance.” I think this project deserves a site visit. Hand me that parrot, will ya?
that's just the way it seems to me at 09:00 AM
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Tuesday, September 23, 2003
Stretching the Bounds of Humor
I’ve started doing yoga in a class once a week, instead of just by myself in my own little studio. It’s fun and I can really feel the impact of each class for days afterwards. However, I can’t seem to “empty my mind.” Even when I’m contorted uncomfortably, telling myself that my own breath is the only worthy focus of my concentration, my brain is goofing off. Two shameful examples, which might not make much sense to folk who don’t know their asanas from their elbows:
* They’re telling us that we’re doing hatha yoga. Well, I can’t do everything that everybody else is doing - I have no balance, only midrange flexibility. What the hell, I rationalize, I’ll do what I can. Hatha yoga is better than none.
* I’m remembering that yoga is a lifestyle, and that lifestyle includes vegetarianism. But I’ve been on a modified Atkins diet for a while and meat is a big part of my life these days. As I settle into a strong pose and feel the prana course through the soles of my feet and up my legs, I wonder what’s for supper. Maybe a burrito. This pose makes me hungry for meat. It’s the carne asana.
There are more, even worse, miscarriages of language that occur to me when I’m in the yoga class, which I will not impose on you. But maybe I need to take up a less contemplative form of fitness. Jazzercizers probably don’t feel like they need to slap themselves for thinking up dumb Bob Fosse jokes during their sessions. Then again, I would probably make everybody else laugh by my antics, like screwing up and falling over. Maybe it’s better to enjoy a private joke than to become a public one.
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Monday, September 22, 2003
Getting Carded
Personal identity is a tricky thing. I’d like to think that I have a handle on who I am, but in a pinch, if I lose track somehow, I could just check my wallet and all the details would fall into place: I’m a penurious inactive attorney licensed to drive passenger vehicles in California (corrective lenses), who has health insurance and a membership in the Presidio YMCA and who shops at three different supermarket chains. But for those times when the foregoing doesn’t help me figure out who I really am, I maintain a running file of supplementary background data - a sort of longitudinal review of who I’ve been over the years. And by “running file” I mean the bottom of my underware drawer, where my old ID cards are scattered around beneath my various unmentionables and headrags. So on those occasions when I choose to heed the ancient dictum “semper ube sububes,” I sometimes find myself confronted with glaring evidence of past lives and of selves who have ceased to be or who have been absorbed into an ostensibly higher, more evolved self. They peek at me from under the boxer briefs. And now I’m going to peek back.
The most benign of these are the “non-face” cards - those without a photo. My bar membership cards from ‘97 (brown print) and ‘98 (blue print, pasteboard card) are both stamped “active,” I’ve lost ‘99 and ‘01 but 2000 (tan) and 2002 (blue again) both read “inactive.” I can use them to track my growth from being a litigator to being a person. They’re followed by an old leftover business card from my tenure as a development officer - it must have been from ‘98 because it’s for the Oakland - not the “East Bay” - SPCA; it also recalls to my mind one reason why I left that sinecure: there’s no card for me as “Campaign Director.” Even though I spent 14 months in that slot I never got even that modest gesture of recognition. Then there’s my old Blue Cross card from when Kel’s insurance was cheaper than my own, and an old library card (undated but less than 10 years old); a membership card for Le Video, where I always wish I’d gone whenever I’m at Ballbuster but where I never actually go; and of course my personal favorite non-face card: the social security card I got in the fourth grade, laminated at a post office and trimmed with the kitchen scissors. My signature on it is thick and clumsy, each letter painstakingly enscribed in the painfully uncoordinated script of my early youth. It’s my oldest card, and it does really take me back to see my writing from so long ago. Everything was such an effort in those days - even signing my name.
Then there are the face cards. They’re more fun, or sometimes scarier - but they definitely have more to tell me.
* College ID, issued 8/31/82: Dark hair flops over a clear forehead; no glasses; a favorite cream-colored oxfordcloth shirt unbuttoned at the collar exposes dark pectoral thatching; my full beard is neatly trimmed, my moustache is tidy and crisp and dashing. I smile openly, ingenuously, a freshman on the brink of his future, dizzy with the future on which I am embarking.
* Driver’s License, issued 1/14/83: My hair is a little longer, it droops more wispily over my forehead. The beard is bushier on the sides but seems unflatteringly thinner around my chin for some reason. I wear a favorite stuart plaid shirt and my smile seems broad and genuine, as if I’m actually enjoying myself there at the DMV. It’s one of my better smiles but not a very flattering photo. I have learned to entertain myself. This could eventually get me into trouble but I seem to be okay with that.
* Dining Service card, issued 9/83: beardless, but with a slight shadow of whiskers; hair cut shorter and arranged more tidily on top of my head. Hairline has officially begun to recede. Wearing a forgettable red t-shirt and the barest hint of a smirk; my jaws are clenched and my eyes are clear and piercing. I appear at an angle, leaning to the left about 15 degrees; this creates a somewhat disoriented impression, as if I’m not really part of the ongoing program, or perhaps like I’ve got my own program - a personal secret. One of my best photos ever. I can see myself in it.
* Driver’s License, issued 4/13/87: unremittingly hideous. Hair is getting longer but looks greasy and is combed straight back, revealing a lofty Walken-esque forehead that gleams preternaturally. Eyes seem blurry and unfocused. A creepy enigmatic grin is smeared across my lips. My shoulders are angled and I turn slightly to face the camera; the look on my face is introspective to the verge of incoherence. I wear a garrish tie-die that accentuates the paleness of my skin. A flaw in the photo next to my mouth makes me appear to have an open sore or ghastly scar. On this card I have crossed out my LA address and written in my new SF address. Each letter of my name is carefully distinguished in this signature. I am groping for identity - without much apparent success.
* Sherman Oaks Health Spa membership card, issued 6/24/87: what a difference two months have made. My hair, still combed back, falls to near my shoulders in gentle waves; a full beard and moustache reappear, thick but neatly trimmed. White t-shirt, head coyly cocked, wide smile, eyes frank and focused. My best ID picture, even though I hated that gym. I’m ready to see - and more importantly, to be seen. A man of action. I aspire to that personality to this day.
* Law School ID, issued 8/87. Shoulders squared to the camera, beardless but with a dusky dusting of whiskers to be shaved, hair brushed back, forehead broad and luminous. Enormous unflattering glasses frame an accusatory glare - a pugnacious mug for a serious guy. I wear a purple and black plaid shirt with flamboyant multicolored stitched rosettes, open at the collar; my chest hair curls up darkly. I’m very slim and seem to lean forward with a hardheaded cynicism. Utterly unsmiling, I look toughminded, somewhat sad. I am ready to confront the unknown and kick its ass. I am trying to fool somebody, possibly myself.
* Driver’s License, issued 3/19/91: The glasses are gone again. The picture is faded; it’s hard to get a good read on myself. Hair still combed back, my forehead now curves all the way up to the top of the crown of my head. I lean a little to the left and the camera angle is curiously low, looking up from just below the level of my cleanly-shaven chin. My hair bells out around the sides of my head. My lips are pursed; my eyes focus on a point slightly up and to the left, as if I’m concentrating on something else in order to get through an ordeal. I wear indistinguishable dark clothes and my skin seems very pale. My signature is tiny, tidy, mainly illegible. I look like someone just realizing that he’s lost, still trying to deny it even as reality begins to settle heavily upon him.
* CostCo card, issued 7/92: My goofiest picture (among the picture cards - though it doesn’t hold a candle to the college yearbook). I stand angled to the right a little and glance back slightly toward the camera, and lean back a little in a posture that begins to qualify as “rollicking.” I wear big ugly glasses and a skinny, neatly trimmed beard that hugs my jawline. My smile is wide, open and cheerful; my hair has so far receded that it hardly shows up in the photo; my forehead rises majestically, reflecting all light from all sources until it curves back into shadow. I wear a t-shirt with a barely-visible eco-logo on it. It’s like a headshot for a stand-up comic. Previously embarassing, it’s now one of my favorite photos. I look like a fun guy with the world on a string.
* Driver’s License, issued 3/10/95: Very uptight. Hair is pretty short and very neat, combed back. No glasses. Shoulders square to the camera, head square on the shoulders. Jaws clenched, unsmiling. Forehead huge and unfurrowed, a haven for seething ideas and strategies barely hinted at by my hooded, emotionless gaze. Cleanshaven and wearing a buttondown shirt, silk tie (a bit askew), and tan raincoat. It is a photo that was meant to say, “Officer, I’m not the droid you’re looking for.” I look like I could open a bottle of pepsi with my ass. I’m a big sourpuss. I have learned to deny my impending burnout.
Looking back on all of these, I see so many phases of myself, an ebb and flow of positive and negative traits, which continue to jockey for position in my persona even today. And as for jockeying for position, don’t even ask for a rundown of the other contents of that drawer. Personal development I can share, but my undergarments actually make for rather dull reading.
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that's just the way it seems to me at 10:34 PM
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Sunday, September 21, 2003
Clubbin’ It
(Saturday Afternoon, late, gilded by the sun’s decline)
Ooh, my butt. My butt is in ecstasy. My sacrum is delighted. My flesh rejoices in the feeling, the firmness, the rich meaty odor of new leather. I am sitting, for the first time, in the Nana Chair.
When my grandfather died last year we chose to memorialize him with heirloom furniture, something that would never go out of style and would always provide pure comfort and support. It’s not like those are traits Jerome himself necessarily personified, but when you needed him he was there, and we wanted to accentuate the best of our memories of him. The mission rocker with leather seat and back has never been less than a delight, to the eye and to the tuchus. It’s sitting right across from me now, as if it’s checking out the new kid. (Though we used Joy Challenger money to buy it, it was Jerry’s memory that it was bought to preserve.)
The new kid came to us as our parallel rememberance for Nana, who died earlier this year. To keep her memory with us on a daily basis, we dipped into our share of her estate to get a leather club chair, slung low and generously upholstered, wide arms curved gracefully and stitched on the sides in a pattern echoing the cool contours of the overall design. We searched for many months before we found the right chair, and I can’t find an image on line that comes close to it so you’ll have to use your imagination. It calls to my mind an old Packard with pendulous fenders, the objectification of practical sophistication. A sewn-in back cushion boosts me as I sit, relaxing my spine and improving my posture. The chair fits neatly next to the entertainment cabinet, under the tangka where the final piece of “old us” furniture used to live. The tired old chair that the Nana chair replaces had been left behind at an apartment to which a friend was moving, and we’d taken it despite being its clunky, heavy, ugly and uncomfortable - because we didn’t have anything better and we needed something on which to sit. At that time our decoration also included a couple of “found” couches, some pressboard shelves for the TV and stereo, and a generally unfocused miscellany of themeless, vapid, tired furniture.
Those days are now utterly over. The old chair awaits large item pick-up day, serving out its remaining tenure as a piece of pet furniture in the study. The living room is now profoundly comfortable, with strong mid-century/mission/japonesque sensibilities. As I sit here, the cushions warming up under me, bolstering me, my mojito sweating deliciously in its gracefully curved glass, I must call to mind the best qualities of my grandmother, a woman of extraordinary sophistication and style. Thanks, Nana. You bought us one sweet seat.
that's just the way it seems to me at 08:34 PM
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Friday, September 19, 2003
Here’s to Absent Hosts
Last sunday we had friends over for brunch and lunch. The house was full of people and food and music, and as is typical of me at such times, I was a little hyper. After all, there were souflees to bake, yuca to fry, carnitas to shred and a dutch oven in which it had been cooked to be deglazed for the gravy, bean salad and fruit salad and oh goodness so many other details to attend to - so when someone thrust a packet of photos into my hand I went through them rather perfunctorily. Nice photos of several of my friends at my house; their babies were cute, the house looked great… I didn’t even notice that neither Kel nor I appeared in any of the pictures. It was hours later that I got a second look and the whole story: we had left for LA to visit my parents. Nool and Deb were visiting from the Windy Apple; Dave and Kimmela had been recruited to visit our diabetic cat and poke her with needles, and Andy and Heidi were in town for the evening from the wilds of upper east Berkeley. Everybody came to our place and hung out for an hour or so, the three under-three-year-old girls trying to play with Rufus, our breathtakingly passive cat, the adults testing our couches for softness, hidden doors and secret treasure. From the photos, everybody had a great time - even Rufus. It was a cozy little party, and I hadn’t just missed it - I hadn’t lifted a finger to make it happen.
It’s nice to realize that you can host a decent party from 500 miles away. It’s just a little weird to discover that it’s happened after the fact, when I’ve got a house full of 25 friends on whose behalf I’d utterly exhausted myself in preparing for another party. Maybe next time I should send out invitations and just leave town. It looks like people would enjoy themselves anyway and I wouldn’t have so many slices in my thumb from the mandoline.
that's just the way it seems to me at 09:18 AM
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Ever Feel - Not So Fresh?
This didn’t happen. I didn’t play either part in this little dialogue. And the foregoing is not a denial, implying any form of supplyial. You’re going to have to trust me on that one. The bus is a weird and wonderful place, but sometimes I make stuff up about it anyway.
* Excuse me - do you smell something?
* I don’t smell anything.
* It’s like garlic and flowers, but sour. And cumin.
* Sour flowers? When did you notice it?
* Just a few minutes ago. And sharp spice, like garlic.
* Is it very strong?
* No, not very. But a couple of times it’s gotten more intense.
* But just in the last few minutes or so.
* Yes. I’m pretty sensitive to smells so maybe you don’t notice it. But when it kicks up its pretty strong.
* I see. I think I know what you’re smelling.
* Oh god. Oh no. I’m so sorry.
* I am too. I’m going to get off at this next stop, if you’d excuse me.
* I - I don’t know what to say. It’s not that bad. I’m just oversensitive. I’m sure no one else noticed.
* No one else has to. Please let me past you.
* Of course. I can’t believe I was so thoughtless.
* No, no, it’s me. Have a good day.
* You too. Oh - while you’re there - could you open that window a crack?
that's just the way it seems to me at 08:31 AM
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Wednesday, September 17, 2003
Alice Doesn’t Live Here Anymore
I don’t often get particularly interesting spam but this email captured my interest. For $30 plus shipping and handling I can buy an acre on the MOON? “The Lunar Embassy has been selling land on the Moon for the past 22 years. They are the THE ONLY COMPANY in the world to possess a legal basis and copyright for the sale of lunar, and other extraterrestrial property within the confines of our solar system. LunarLandRush.com is an authorized agent of the Lunar Embassy.” And on they go, freely referencing how many ex-Presidents, NASA officials, and actors from various Star Trek series have ponied up and gotten their piece of the lunar action. How could I go wrong?
Well, in a couple ways, I guess. First, even though the Lunar Embassy claims to be the “only company in the world” to have the right to make these sales, we’re already breaching terrestrial bounds here - how do I know that there aren’t beings on other planets or moons already buying up parcels on the ol’ skycheese? It’s not like they’ll be checking with the Centaureans to make sure there’s no conflict in the title records, and I sure don’t want to be stuck in deed priority litigation with some freaky tentacled alien - especially not one from space.
Second, I am not clear what copyright has to do with real property sales. That’s for intellectual property. Unless the moon is a figment of my feverish imagination, the reference to copyright raises troubling issues. You shouldn’t bring it up if it’s not relevant, and I can’t see how it is relevant, so I wish no one had mentioned it. Don’t confuse me with technicalities when I’m buying extraterrestrial acreage.
But the biggest problem here is the selling price. Thirty dollars is not an excessive investment - I can see how that might be absorbed, even amortized over a relatively short period of time (geologically speaking). But they tacked on three extra words that should cool even the hottest-blooded lunatic - “shipping and handling.” What do you think S&H will run on a package being sent from the “Lunar Embassy?” It costs billions to send a shuttle from the moon to hereabouts; the packaging alone will probably cost a fortune. I’m not ready to make any purchase where the incidental costs run so steeply.
This whole idea is making me nervous. But at least the guys from STNG have their own place to party up in the sky - and they’ll be able to pick up the documents right there on the lunar surface and save the shipping and handling charges. Man, those guys get all the luck. I mean, except for those dorky outfits they wear. Those jumpsuits? No wonder they want to buy the moon. They can’t flash their own.
that's just the way it seems to me at 06:39 PM
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Tuesday, September 16, 2003
LUCKY DOG - third snippet
These little snippets have been surprisingly popular. Admittedly, they’re only popular with a very small number of people, but I’m best with the very small numbers so I’ll just slap this one up here and let you confront the continuing saga of LUCKY DOG, EXERPT THE THIRD:
INT POLICE STATION – DAY
Flange sits with his bags at a cop’s desk, giving information for a report.
FLANGE
That’s all there is to it. The deed he gave me has his name as Solo Basura, but he called himself Gypsy to me. I met him today, he cursed me, gave me everything he had, walked out of the alley and got creamed by a bus.
COP
Yeah, go over the “gave you everything he had” part again.
FLANGE
I don’t really understand that part either. He just said that he wanted to curse me, and that his stuff was cursed, so he could give it to me and leave me with his bad luck.
COP
And then he got creamed by a bus.
FLANGE
Yep.
COP
Suicide?
FLANGE
Geez, I don’t know. He seemed pretty cheerful when he walked into the street. I think he just wasn’t paying attention.
COP
(sarcastically)
So maybe his curse didn’t take, huh?
FLANGE
That’s not a joke, is it, officer? The man is in a coma. Are we done here?
COP
Guess so.
FLANGE
Can I turn in a lost item to you?
COP
What is it?
FLANGE
This suitcase was in the alley where I met Gypsy. It’s not his and it’s not mine. I’d like to try to return it to somebody. Maybe it’s important.
The case is dingy, battered, looks like it belonged in the alley.
COP
If that case was ever important to anybody, it sure ain’t anymore. What’s in it, anyway?
FLANGE
No idea. It’s locked.
COP
Well, I’ve got the answer to that one right here:
He uses a small bolt cutter to snap the flimsy lock.
COP
(continuing)
Now, let’s see what you want to leave here with us…
The cop unzips the case and opens it so that Flange cannot see inside. The cop peeks around the edge of the case to look at Flange.
FLANGE
So what is it?
COP
Lemme answer that question with a question. How much money can you fit in a suitcase?
The cop turns the suitcase to face Flange. It’s totally full of money – large bills, neatly wrapped in blank paper tape.
FLANGE
Where did that come from?
COP
From under that bum’s ass, if I believe your story.
FLANGE
You do believe it, right?
COP
(after a beat)
Yep. No one would be stupid enough to come in here with that much money and that incredible story if it wasn’t true.
FLANGE
How much do you think it is?
COP
Call it fifteen mill, give or take.
FLANGE
Whose is it?
COP
Well, there’s no name, no markings, and it’s in an old abandoned suitcase you found in a trashy alley. Tell you what: we’ll check it out for you.
FLANGE
How long will that take?
COP
Till we figure out whose it is.
FLANGE
What if you can’t figure it out?
COP
Somebody lost a suitcase containing fifteen million dollars. We’ll figure out who it belongs to. Maybe you’ll get a finder’s fee.
FLANGE
Somehow I doubt that. That’s not the way things usually work out for me.
COP
Don’t be glum, chum. Maybe your luck’s changing.
The cop zips up the case and puts it back beneath his desk, loads fresh paper in the typewriter to start a new report. A mature, well-dressed man of means charges up to the cop’s desk in obvious agitation.
MAN
I’ve lost a valuable item. To whom should I speak?
COP
Depends. What did you lose?
MAN
A sizeable sum of money.
COP
We see some pretty sizeable sums around here these days. How much are we talking about?
MAN
(referring to Flange)
Who’s he?
COP
Another customer for lost and found.
MAN
A loser or a finder?
COP
So far, a finder. After today, who knows?
FLANGE
Thanks.
MAN
I have lost – or misplaced – well, I’m missing a suitcase containing certain funds.
The cop and Flange exchange a look.
COP
How certain were these funds?
MAN
Quite certain. About $12 million certain.
COP
(to Flange)
Sorry, loser.
FLANGE
No problem, officer. That’s why I brought it in.
MAN
Did this young man find my money?
COP
That’s for us to determine. Take a seat.
(To Flange:)
Why don’t you contact us in a couple weeks. If the item doesn’t belong to this guy, and no one else claims it, you can have it. But we’ll have to check with Treasury and all. Money can be surprisingly hard to lose, when there’s enough of it.
Flange looks at the cop, the Man, back and forth for a moment. Resigned, he stands.
FLANGE
Ok, thanks for your help, officer.
(To the MAN:)
Congratulations. I can only imagine how you must feel.
MAN
Thank you for turning in my money.
FLANGE
You’re most welcome.
MAN
Now, would you kindly get out of my way so I can finish this?
Flange hurries away with his remaining suitcase from Gypsy.
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that's just the way it seems to me at 10:47 PM
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Monday, September 15, 2003
Fracturversary
It was a year ago yesterday that I fell from a very slow-moving bicycle and broke my wrist badly enough to turn a cop’s stomach. Yesterday I cooked breakfast and lunch for the people who got me through it. That means that two days ago I carried the ingredients upstairs and chopped and stirred and prepared them. That means I’m done with recovery. I’ve been rebuilt - better, faster, stronger. Naturally, all this drove me to tortured versification. To wit:
A triumph of the masses
it’s so utterly behind me
what was once completely broken
is now stronger than before
Didn’t even lose my glasses
How’d those zebras know to find me
As I meditate aloft in crow and
firmly shut the door.
One year of mending later
with the help of friends and fortune
I don’t think about the hardware
or the damage that was done
I am now a celebrator
all has come to an accord, u
-niquely in the form of scars where
what was shattered now is one.
At least I know Pea will like it because I mention scars. But they’re pretty cool scars. I’m grateful to each of you who was my correspondent during my recovery, imaginary friends and otherwise. Your interest and concern helped me a lot. And now, I’m ready to move on.
that's just the way it seems to me at 10:27 PM
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Documentary Day
I recently got to see two truly epochal films, ones that are invariably mentioned in the same breath because of their manifest thematic similarities and interconnected plots. I refer, of course, to Frida and American Pimp. I enjoyed both films. I was relieved that Frida spoke english so fluently, as most of her mexican compatriots tend toward local dialect. It was also good to see that Tony Banderas is actually so engaged in political activism. The film was visually striking and I enjoyed the blending of VH-1 sensibilities and Hollywood filmic traditions, as in the way some scene segues or songs were dis-integrated from the story so as to create surreal breaks from reality. In the end, however, I never got a sense of true pain from Hayek, and that detracted from my sympathy for the epynomous character. Ultimately though, the film was saved by the introduction of one of the cleverest and most useful domestic laborsavers I’ve ever encountered, and I am expecting every household in the US to jump immediately on the laundry-monkey bandwagon. What an important advance in the domestic sciences. I can’t now stop thinking of things for which a monkey would be handy. Updates to follow, pending clinical trials.
American Pimp was, sadly, actually filmed in local dialect, without the handy “english-language subtitles” option that has proved so valuable in films such as Sexy Beast, The Harder They Fall and My Brother Vinnie. Instead, I had to listen very carefully to people as they spoke quickly through gold-plated diamond studded teeth about macks, hoes, and smacking people around. It was a fascinating movie, ultimately showing me that truly stupid people can be attracted to a man based purely on the enormity of the hat he wears. At one point an interviewee discusses his new line of work, post-pimping, as a blues singers, telling us, “I’m now singing the blues. But blues singers and players have a lot in common. We look the same, we dress the same - so it was a good transition for me.” Up next, the snakeskin-sombrero’d stylings of Howlin’ Wolf and his fine bitches. Adds a whole new dimension to “making it big in show bidness.” It was also entertaining for me to see so many young lions of the flesh-peddling profession giving respect to a hometown hero, Fillmore Slim, an elderly dapper man with 50 years of pimping under his belt and an impenetrable slur. “I been flefshiming since mnolomgsoro” he intones with a wry smile, and you figure you just have to smile back and nod or you won’t be cool. Of course, this avatar of pimpdom is patrolling his turf, through which I ride on the bus every day to work - the Gazebo smoke shop, the Century Theater and Video Arcade, the public toilet that is Jones Street at O’Farrell… It was both enormously entertaining and a little sad to see the world some people make for themselves.
I couldn’t watch both movies back-to-back, that would have been too intense - so I multitasked and enjoyed them simultaneously via picture-in-picture. I saved so much time I get to tack another 45 minutes onto the end of my life. I just need someone to remind me when that happens. As a final reflection, I leave you with the words I found when gassing up my car over the weekend on a small paper sign taped to the pumps at a cut-rate gas station: “Come and See Us at the Booth for All Your Snacking Needs.” Just replace “booth” with “Chucklehut” and “Time-Frittering” for “Snacking.” Mmmm, time fritters. I can almost taste the procrastination.
that's just the way it seems to me at 10:00 AM
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Thursday, September 11, 2003
Dangling Dan - A Risk-Adverse Guy
When I broke my wrist, and before the doctors in the ER set it, they hung my hand by the fingers from a set of metal mesh cages. They crammed each finger and my thumb into a stiff tight tube made of loosly braided strands of wire, which in turn were hanging from strings tied to a stationary horizontal metal rod - and I quietly hung there for a while with a twenty-pound weight dangling from my elbow. The name they used for this device was “Chinese Finger Traps.” Even in my extreme discomfort and with all the painkillers they’d (eventually) fed into me, I wondered about that name. It seemed a little insensitive to the chinese people.
Three weeks or so later I was at my orthopod’s office for a followup. He’s a typical sawbones - hulking and blonde. He also had another person in the room - another doctor, or an intern? Medical assistant? Physical therapist? I was sore and missed some of the details. But one thing I did notice was that this person was a woman of asian ancestry. The fact was of no consequence to me at the time.
She asked me about my treatment in the ER, and I described the mesh traps I’d endured. I didn’t want to call them the name I’d heard used for them - they’d taken off my cast, my misshapen purple lump of an arm was exposed and unbelieveably tender, and I didn’t want to offend someone who could so easily cause me so much pain.
“Oh, the Chinese Finger Traps,” she said brightly. I guess I I looked surprised to hear her say it. “Sure, we use those all the time. That’s why they hired me - for the whole chinese thing.”
I was still glad I hadn’t mentioned it myself. Some people will surprise you and some of them won’t.
that's just the way it seems to me at 11:21 PM
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Weiner
I may not have been born ready - but I was weaned ready.
that's just the way it seems to me at 09:10 AM
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Sex With Someone I Love
Having spent so much time writing up answers to five simple questions (see below) from Jules over the past few days, I find myself with a new question on my hands: Who the hell cares? I can’t shake the feeling that this whole interview thing I’ve plastered up here for the world to read is nothing but onanism, and the seed of my words is prolifically, prodigously spilled on the ground of cyberspace. Looking back over that post, now that it’s formatted and edited and cleaned up just the way I wanted it, I feel overwhelmingly petty and boring. The experience leads me, naturally, to the sacrifice of even more words:
Inquiring of my deeper self again
if we are almost ready to proceed,
I hover with the page beneath my pen
and cogitate a self-indulgent screed.
The power of the press I weild anon,
which, as possessor, I’m obliged to use -
so bend my wit like a chameleon
and beat the language to a bloody bruise.
My rants and links I jettison at will;
with crafty egotism I inveigh;
put me near a can of worms and it will spill,
shout louder when there’s nothing much to say.
I blog because I want the world to see
that nothing is less newsworthy than me.
that's just the way it seems to me at 08:40 AM
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Wednesday, September 10, 2003
Interview with the Man Who Wouldn’t Shut Up
It’s not like I can watch you suckers all jumping off bridges and not hop the railing myself. It’s not in my nature. Plus, I don’t even close my blinds when I change clothes, so why should I shrink from exposing myself to you, my dreamlike and incorporeal public? Well only because I’m so deathly dull and have nothing of value to tell the world - but that’s never stopped me before and it’s sure as hell not going to stop me now. So here’s what I did: I watched most of my imaginary friends answer five different provocative questions each, and then I waited for a while, and it seemed like the coast was clear, so I asked Jules to interview me and here are her questions and my answers. And for the record, she got the questions to me toot sweet but I have dawdled over my answers because they were not sufficiently ponderous and overworked. Hope you enjoy, and remember, this is a non-smoking flight.
1. When you’re dead and gone, what would you like people to look back at as your “life’s work”? (This may or may not be connected to your profession, and may include things you have not accomplished yet.)
I’m intrigued, answering this question, by the distinction between being remembered and being famous. In the end, I ask myself if I’d rather be famous - my name known by millions - but not to have had an impact on anybody’s life; or if I’d like to be unknown in the larger sense throughout my life but to have really had a positive influence on someone else. And I have trouble with this because I am, at heart, selfish and egocentric and mercenary. I love adulation and positive feedback, and my occasional experiences of these have mainly been in the context of doing theater, photography, or writing. So I do dream idly of a future of fame and independent wealth resulting from the exercise of my artistic faculties, such as they are. But this is an outcome which I consider, frankly, fairly unlikely - and more to the point, I don’t think I’d find it particularly fulfilling unless I achieved the second goal through it: that someone found something in what I’ve done or said that was helpful or inspiring, resulting in people winding up generally happier and more integrated within and among themselves, and a consequent amplification of the overall quantum of positive energy in the cosmos. (More or less.) If upon my death all my creative writings and eyecandy photographs were lost and all my brilliant performances and funny voices and soulfully sung songs were utterly forgotten till time ended, but somewhere someone remembered that I’d once taken a bit of effort to help someone else or to stand up for a principle, and for no other reason than my example went and did something similar, I’d feel as if my time hadn’t been wasted. Everything goes away eventually anyway. Optimally, I’ll be remembered world-wide by an adoring and generous public that uses my life and philosophy as a basis for a religion that establishes world peace and unity, but on reflection that seems a little too Bill and Ted. And as an aside, San Dimas High School Football sucks.
Okay on final consideration, the one thing I’m really proud of as of now, and that I don’t see myself equaling from here on out, would be my hagadah - a guidebook to celebrating Passover. There are thousands of different versions, but my own effort has really worked out particularly well. It’s made the experience meaningful and constructive for a lot of people, many of whom have neither familiarity with, nor connection to, any of the old rituals or traditions. If my hagadah remains in use and is valued by generations down the line, I’d feel as if my existence hadn’t been a total waste of resources.
2. (I once dated a boy who tossed a CD of mine out the car window on the freeway because, although I loved it, listening to it made me instantly sad.) What beloved CD should be removed from your collection due to its effect on your moods?
This is a tough one for me because I’ve been winnowing the collection for a long time. I am not one of those weepy Morrisey nihilist types who likes music that makes me feel empty and useless. A lot of what I own does have an impact on my mood, but an impact that I like: Gene Harris makes me feel cool, Dick Dale gets me pumped up; Lee Morgan makes me feel inspired but a little wistful; Elvis Costello can put a hell of a lot of moods in my head but always cheers me up after he bums me out. But if music doesn’t make me feel better overall, I don’t need to keep it around. Amoeba will buy it back and I’ll find something I like better.
So I will expand the inquiry to include cassette tapes and - lord love me - LPs. Now I’m getting to paydirt. I have a few LPs from the olde days that definitely steer me off my intended course. The Story of Old Mack (and let me point out that the graphic on the link is for a different record but the tunes are all pure Mack) was my favorite album as a small child; now it creeps me the hell out. I might get rid of that because of the way it makes me feel. But on the other hand I generally internalize that weirdness and it doesn’t make me immediately difficult to be around, it just feeds deep-seated neuroses that will eventually have me pacing the rooftops with a bodkin, but not actually bothering other people.
However, Smash Flops makes me completely irritating. I know all the songs by heart and sing along with them. Then I sing them to myself for days afterwards. After about 10 minutes of me singing this cloyingly cheerful crap you’ll want to kill yourself and then me and then the original performers and then me again. The personality change I experience from this album is more intense than what happens when I listen to the old Monty Python or Tom Leherer stuff, or even Flanders and Swann (though I’m pretty insufferable after them, too). So for the good of the country, I’d dump Smash Flops - and just keep that Best of Beastie Boys Funk and Groove Mix spinning happily ever after.
3. It’s 5:30 p.m. on a Friday. You have nothing out of the ordinary planned for the weekend. How does your evening play out?
This is a trick question. Kel’s schedule is so fluid these days that it’s hard to say whether, on a “typical” friday, she’d be home - so I’m going to have to take it both ways, so to speak. And just to set the stage with basic definitions, for me, “nothing going on” means a night expressly dedicated to reading, writing, tidying, and if I’m particularly alert, remembering to watch an episode or two of The Tick on video. The dog will have to go out around 9 or 10 for relief and the cat will need to get her insulin around the same time. Pretty dull stuff, but I’m basically a homebody. I don’t go clubbing or to many shows or nitespots or such. So:
It’s 5:30: typically I’m at my desk, reorganizing stacks of paper and trying to develop a sense of having accomplished something during the week. But I’m probably feeling like not much got done, and my mental checklist is full of stuff that’s going to have to go on next week’s “Do It Now Damnit” list. The office is quiet, most everybody has gone home.
Scenario One: Kel is Not Home tonight - ie, she’s out till 11 or so, or overnight, as sometimes happens because of her professional and academic responsibilities. Has she been home today? Sometimes she is, sometimes not. Nothing’s taken for granted anymore.
If Kel has been home today, we have Scenario 1-A: I don’t have to worry about the dog or go home at all after work. I pack up my bag and walk two blocks from my office to the Embarcadero Muni stop where I take the J, K, L, or M lines to Church street, where I walk half a block to Lucky 13. I greet Ratchet with a swift kick to the plastic bottle she’s deposited at my feet and step to the bar. Typically Martin is working and has my Anchor Liberty poured before I have a chance to order it. I take it to the patio and hang out for 2 or 3 hours with 10 or 20 friends. Many laughs are laughed and many soul-searching truisms are somberly (not soberly) uttered. Butts are occasionally felt. When I leave I’m hungry so I’ll grab a slice or two at Sybelle’s, or a burrito at the second place up Church street. If I’m flush I’ll have a cheesesteak at BurgerMeister. By 9:30 I’m scooting home on the Fillmore 22, listening to my headphones and maybe writing a few notes to myself. At Geary, I dismount and reboard the 38 outside of the Boom Boom Room, gazing up across the street to the everchanging mosaic of posters on every interior wall of the Fillmore Auditorium. The 38 will take me within a block of my home, and when I get there I take the dog outside and then shoot the cat. I hope I remember to wash my face but I do brush my teeth and pour myself into bed with my notebook. I write for a short time and am asleep by 11.
Then there’s Scenario 1-B: Kel has been out all day and will not be coming home tonight: I leave work NO LATER than 5:30 and cruise home on the 38L to feed the cat and feed the dog and walk him around a bit. I might change my clothes to something a bit less square than my usual Armani jumpsuit, riding boots and opera hat, and then hop the 38 or 38L to Fillmore and the 22 south to Market and I’m at Lucky 13 by 7 - the rest of the evening plays out pretty much the same as above.
Scenario Two: Kel is home tonight. It bears reiteration that I have no plans with her - she’s just reading or whittling or plotting corporate takeovers or whatever she is currently doing to relax. I leave work at around 5:30 and hit Lucky 13 for an hour or two - I’ll be home by 8:30 and I’ll munch a little supper once I get there. We might watch some VH-1 or a televised action movie or something brainrotting like that. We retire before 10.
Damn, I’m really as dull as I ever feared. Well, now I know it. And so does the world.
4. Your apartment is on fire. (Kel is safely outside.) You can save only five items from the flames. What are they?
Well the first two are too easy: there’s a dog and a cat. Then things become more complicated, because most of what I have is eminently replaceable - even my cool new cocktail shirt is just a shirt when all is said and done. I’d want to save my camera, which I got in 1980 - a workhorse Yashica FX-3, fully manual, built like a tank. It’s replaceable too but I’d hate to go even a few days post-inferno unable to document my experience, and while I only need a pad to be a writer, I need a camera to be a photographer. So that’s number 3. Numbers 4 and 5 might be my photographs and my writing files, but I realize this might be pushing the envelope a bit because they’re not “objects,” exactly, they’re collections of objects - in the case of my photos, a whole slew of boxes and albums, both photos I’ve taken and family heirlooms. Too much? Those aren’t “items” and I can’t save them? Bugger all, and let me re-choose as my hovel collapses around my ears. Okay: two works of art in the house - a painting of Mt. Mingus over the dining room entry that we got in Sedona last year, like a pair of purple lips pressed up to kiss a cornflower sky; and a tangka in the living room that’s particularly serene and detailed. I’d miss everything else, terribly badly in some cases, but I can’t think of anything that couldn’t ultimately be replaced AND that I would need to restart my life. But with the blissful Buddah calming my thoughts and the Arizona landscape helping me remember the connection between spirit and earth, I would at least have a decently decorated “square one” from which to proceed.
5. Deep down you know you’re “a writer”. When did you first decide/realize this?
I never really thought about it, and I suppose I rarely do even now. I always enjoyed words and playing with them, and writing was a natural outgrowth of that process. When I was six years old I asked my dad who was the fattest knight of the round table. He didn’t know; I said, “Sir Cumference.” I don’t know how I knew about the Arthurian saga at that age, much less the word for the distance around a circle, but I’d put the damn thing together and it was my first pun. I received undue encouragement and kept making increasingly painful and longwinded jokes. In second grade I wrote my first poem, about spring. (I had it in my “100 Things” but those are not working right now so it went like this: “Spring is here / Spring is dear / I am happy / Winter was crappy.” I still recite it in season annually.) From there I just kept on writing, for entertainment and when I felt lonely and whenever I had a theme or topic. Just basically whenever. But with all that, I never considered myself “a writer” and I suppose I still don’t. I’m just a guy who writes. If there’s a difference I don’t know what it is, but I’m going to stick with this version of this answer: I never “knew” I was a writer because that term seems to imply something that I just don’t see in myself. What it is, I’m unable to articulate. I cook, but I’m not a cook; I do yoga, but I’m not a yogi. My dilettante forays in each of these fora give me some pleasure, but I’m not doing what the “pros” do. And even though I write, and try to write every day if I can, I don’t see myself as a writer. If I really threw myself into it, maybe I could assume that mantle - but right now it seems too heavy for me. I just can’t commit. Maybe that’s it. (Look I rhymed. (That’s what I’m talking about.))
Well that was fun. I got some damn good questions (thanks Jules, I knew I could count on ya) that made me think harder than I thought I’d have to on first reading. And of course I love to talk about myself at excruciating length and with the slightest pretext whatsoever. So this worked out great for me. You can wake up now - and if you have any interest in enduring a similar interrogation from ME, Chuckle T. Hutt, feel free to review the following legal disclaimer:
If you would like to play along and have me interview you....the following rules apply:
1. If you want to participate, leave me a comment [or an email] saying “interview me.”
2. I will respond by asking you five questions - each person’s will be different.
3. You will update your website with the answers to the questions.
4. You will include this explanation and an offer to interview others in the same post.
5. When others comment asking to be interviewed, you will ask them five questions.
Tomorrow: how I feel about how I feel - the introspection deepens. Can you smell the excitement? Or does the dog just need to be taken outside again?
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that's just the way it seems to me at 11:16 PM
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Tuesday, September 09, 2003
Well Code Me Pink
This program seems to have been floated some time ago but I’m just getting around to being outraged by it. The idea seems to be that we should rate and rank our citizens by how much of a risk they seem to be to blow up an airplane. If our review of their credit history, employment history, and arrest record are sufficiently alarming, they will be grounded, prohibited entry onto a common carrier regardless of the fact that they’re carrying no weapons and pose no actual risk. We’re using sloppy shortcuts instead of actual El Al style vigilance, and the victim is our civil rights.
It reminds me of the fatuous blowhard who was expounding to a few tourists behind me in line for the screenings at the airport last year; he was opining that the TSA should use him to select people for secondary screenings, and not subject little children and old ladies to this indignity (and waste everyone elses’ time while they’re at it). “I’ve never seen a Norwegian terrorist,” he chortled at his sheep-faced audience. I turned to him and asked, “If you saw three middleeastern shopkeepers and Tim McVeigh, who would you pick to search? I consider domestic terrorists as dangerous as foreign ones, myself.” He had nothing more to say on the subject for the remainder of our wait in line.
Then we have stories like this. That little bastard’s a code orange - good thing he’s got great credit or he’d have missed his flight…
that's just the way it seems to me at 03:20 PM
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Sokkittome
I’m taking pages today out of two of my favorite books (figuratively speaking). On one hand, a good on-line friend sent a semi-private email which reached me as well as about 90 other people on Friendster last week, reflecting on that organization’s suggestion that he “tell people what he’s looking for.” He therefore asked for help locating his “nice socks.” Well that certainly resonated with me, as I’ve lost so many nice sox that I’ve taken to just drawing an argyle pattern on my ankles with multicolored sharpies. There are, however, a lot of things in my sock drawers that aren’t socks, and sometimes they keep me from finding what I’m looking for.
Then Jules came along with a stunning and poetic post yesterday cataloguing the contents of her keepsake box. Well I was about ready to catalogue my sock drawers anyway, but now I feel that I have to do so - but with full recognition that Jules has kicked my ass and my random crap doesn’t rise to the level of a keepsake even if you melt it all together and put it in a nice heart-shaped box. But whatever. I’m a free spirit.
I have two sock drawers, each of which contains several non-sock items. These are:
ATHLETIC SOCK DRAWER:
* Five empty film cannisters
* Shiny purple bat necklace
* Pumpkin-n-beads plastic elastic bracelet
* Partial roll of shrinky ace bandage (1/3")
* A pair of orthotics that need to be reglued
* Green plastic fake fingertip with long red nail
* Two packs of spare buttons for random shirts
* Last year’s bar card
* Shell necklace from Hawaii
* Rubber gaskets for sandals or hydropack (not sure which)
BUSINESS SOCKS
* Box and invoice from latest refill of Nasacort rx
* Tieclip in a little velvet box
* Instructions on tying ties (including bow ties)
* Ugly glasses for vigorous outdoor activity, in ugly case (or, in case of ugly)
* Shoelaces (27”, dress, black)
* Photo-holder portion of an old wallet (empty and never used)
* Two photos from schneckenbaking party last year
* Brochure from Fanny’s Calistoga B&B, with several old college photos of friends inside
* More stretchy ace wrap (1/2” roll)
* Stub from Bob Dylan/Phil Lesh Concert 6/23/00 (Concord Pavillion)
* Two medallion coins in cardboard and plastic wrap commemorating Orlando Cepeda’s entry into the Hall of Fame, distributed at Candlestick Park 7/11/99
* White pin-on button reading “Parade Marshal / U of P”
What I didn’t find were my damn nice socks. I did a little tidying though, while I was poking around in my drawers. (heh.) As Kel recently said, I did a half-assed job of cleaning, but that’s half an ass cleaner than things were before.
MORAL: Oh give up. If you’re looking for your morals in my sock drawer, we’re both in trouble.
that's just the way it seems to me at 09:15 AM
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Monday, September 08, 2003
The Savvy Shopper
Sometimes you need to be sensitized to things before you can deal with them appropriately, whether in a positive or a negative way. But when you head is ready for reality, things can be surprisingly clear. This was proven to me in that bastion of philosophic renewal, Macy’s. Let’s delve, shall we?
I’ve been thinking about buying shirts since Greg subjected that process to his unflinching scrutiny late last week. In particular, I was thinking that I don’t like to buy shirts, but I do like to own nice shirts and I’ve had to dispose of a few old favorites lately. And then I suddenly found myself at the mall being directed by my most sophisticated and efficient wife to a really drastic sale at Macy’s where I had an atypical reaction to a shirt. First, there was only one on the rack but it was, incredibly, the right size. I liked the color; the pattern was subtle, undulating, flattering. The fabric had a soft ribbed nap that felt illicitly good everywhere it touched me. 40% off, and, even under the diffuse florescent lighting of the probadoras, it made my eyes seem more intensely azure. (That’s right, azure. Not just blue. Blue is for everybody. Azure is for Chuckles.) The lines drape generously over my chestal region; the garment is equally comfortable in all modeling postures (waving to distant friends, throwing an invisible beach ball overhead, pulling an imaginary rope...) Very rarely have I been so excited about an article of clothing. But had I not been primed by prior exposure to an appropriate role model to confront my inherent reluctance to buy anything, I might have left it behind anyway and then regretted it for months thereafter. Not this time. It’s hanging in the closet and I can sneak over and caress it furtively whenever I wish. I am a better (and significantly hipper) person - not for having bought it, but for having let myself buy it. Thanks, Greg, for preparing me for this critical experience of personal growth and fashion.
However, before I had completed my purchase, I did see something disturbing. A family - dad: stocky, not tall, olive skin, golf shirt, livid with rage; mom: 40’s, quiet, tense, angry too but more in control; two young girls, maybe 10 and 12 years old, silent and cowering. Dad is shouting at the older girl in a foreign language - hebrew? Arabic? I get an Israeli-Palestinian-Lebanese vibe from the family, a general central-mid-east feeling. But that’s not the point; the point is that Dad is shouting at his daughter, right in her face, and the only words I recognize are “stupid” and “idiot.” She’s holding her hands around her waist, looking up at him with wide eyes. As he berates her, he pulls back and smacks her in the back of the head with the flat of his hand. The sound is a dull flat counterpoint to the cheerful ambient shopping soundtrack being piped in. The girl maintains silence as her head rocks forward and her hair flies up around the force of the blow. This is all happening about 25 feet from me and I walk over. “Sir,” I tell him in my gravest voice (I’m wearing a silly t-shirt and ragged old shorts, but I am cleanshaven, deepvoiced, and taller than he is), “Sir, if you are going to treat a child that way in public you should expect to hear that people disapprove of it. You should never hit a child.” He wheels on me, his anger a tangible aura around him but not so much as raising a finger to me. “It’s none of your business!,” he repeates over and again. “You don’t know what you’re talking about! None of your business!” At one point the wife chimes in, adding “ You don’t understand. We didn’t know where she was.” As she offers this explanation, dad is already dragging the family deeper into the store and away from me. I haven’t said a word since my first expression of disapproval. But as they shrink into the maze of merchandise and people, I call after him, in a resonant but not loud voice, “Children should not be hit.” He shouts back over his shoulder, “Of course not!”
Kel asked me afterwards if I’d been too antagonistic in my approach to this situation - if my tone and words might have exacerbated this man’s anger, anger he’d just take out on his daughter later when I couldn’t see or intervene. And in retrospect I wish I’d been less confrontational, but it was only because I had been driven to extreme agitation by the abuse I was seeing that I got involved in the first place. I’m glad I stepped in even if it might have made things worse in the short term for that little girl. At the very least I wanted her and her sister to know that some of us don’t think that’s the way the world should work.
MORAL: When something is very right or very wrong you can feel it in your bones - and you’d better do something about it or you’ll spend a long time wishing you had.
that's just the way it seems to me at 09:23 AM
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Friday, September 05, 2003
Pastiche
A sense of letting go
unowing
resurfacing my past in all its
surplussage and wastefulness
box after dusty cardboard box
This one’s got ten years of banking
going back so far it’s like
a fiscal Olduvai, recording
lives once lived and since, repressed:
crises, parties, poverties,
so many choices every day
each minute full as they are now
reality was likewise dense
and I was fretful, poor of spirit,
callow, prideful, heedless, weak -
this box is all our household records
three year’s worth and twelve years old
I smell the tension in the paper
filed compulsively, forgotten,
blinking in the light of day
I read my failings in my checkbook
trace my lifeline through my archives
handle every sheet and staple
drop them though the narrow slot
and hear the engine whir as tinsel
fills the bin beneath the rotors
the sound of history erasing
triumphs, tragedies alike
and with each bag of shredded paper
each old box that I dispose of
I regain that share of spirit
feel my archived energy
returning to me, rather musty,
needing some reintegration
nonetheless a prodigal
homecoming of recycled mojo
Having hauled the bags of shred
downstairs to bins two flights below
I run back up at doublespeed
and take the steps two at a time
triumphant in rejuvenation
that's just the way it seems to me at 08:36 AM
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Wednesday, September 03, 2003
Losing Face
This one gets a little disturbing. Just so you know what to expect when you read it over lunch.
Let’s talk about courage. There’s lots of kinds of courage, ways of confronting that which by all rights should have you cowering under the sheets, breathing used air because you know it’s safe. I hear about acts of extraordinary courage every day. There are soldiers enmired in hopeless wars, facing snipers and landmines, getting picked off one at a time but still answering reveille at dawn and facing the music. There are the survivors of domestic violence who must work to make up for the child support they’ll never see, fully expecting that their batterers will show up at their job at any moment to get them fired and then to assault them anew - yet they go to work anyway, choking back their fear. There are children who aren’t safe at schools that can’t teach them, much less protect them - and still they brave the streets of their cities and the hallways of their academies because it is the only way, their only hope. Courage abounds. The world is too, too full of people overcoming grave danger, petrifying fear, impossible odds. Their stories start to blend together into a haze of the possible-yet-incredible. I start to wonder if my life has room in it for that kind of strength of character.
Then there’s the man who is losing his face. I see him every week or so on the bus. He wears clothes and carries a satchel and combs his hair like everybody else; he has two hands and two legs and doesn’t take the seats that are reserved for the elderly and disabled. Something about him is wrong, though. It’s centered on the bridge of his nose, or where the bridge of his nose should be. It’s like a hole, or a deep abrasion, or an enormous scab. Really, it’s like all three of those at once. It goes halfway across either cheek, down to his upper lip, and laps at his eyebrows so it’s hard to tell where his eyes even are anymore. It is wrinkled and corrupted, and not very dry. I don’t know if he puts something on it or if it simply seeps a milky substance, but his raw open flesh looks wet and glistens. He is gruesome almost beyond my ability to bear his presence. From the side, it seems that a big chunk of his face has simply been eaten away. Little kids literally scream and run from him. Everybody who sees him evinces the universal shock evoked by disfigurement. He looks like meat. Rotting meat.
This man gets up in the morning, dresses, packs himself a lunch and walks to his front door. Does he check a mirror? Does he avoid looking at himself? Does he think of himself as he is, or as he may once have been - with regular features and a face that blended into the crowd? I don’t know. All I know about him is that he lives with what he looks like every day, having disgust and horror meet his gaze wherever he turns. Yet he opens his door and walks out into the world anyway. He makes himself keep going, braving our revulsion. One could say that he goes on because he has no choice - but he does have a choice, albeit a final and permanent one. Yet he hasn’t taken that option. He goes out and goes on, the sun warming his back, music lifting his soul. He has pleasures - I hope, pain and fear - I doubt not, and loneliness - I must imagine. But he neither gives in nor gives up. When I see him I must turn away so as not to gawk at his hideousness, but as I do so I admire him terribly. His strength and courage are an example to me which I cannot emulate but to which I nonetheless aspire. Courage can be as simple sometimes as walking out your front door with your face, or what is left of it, on your head.
that's just the way it seems to me at 10:34 PM
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Sign Language
Signage is one of my favorite -ages. From “Yield” to “Peligro - Biocontanamica,” signs tell us so many wonderful and exciting things. And I am fortunate to live in a city that is proud of its history and its architecture, so there are quite a few plaques and signs up around downtown and the neighboring districts for my perusing pleasure. There are plaques marking the site of old opera houses, the first state fair, the Barbary Coast trail tour, even brass plates in the sidewalk telling you the names of the ships buried in landfill under your feet.
If I see a historical marker, I’m enough of a geek to stop and read it. “Oh, so this is where the old Jesuit infirmary stood.” “Oh, so this is where Steve McQueen caught air in Bullitt.” “Oh, so this is a seventy-year-old advertisement for laxitives. Neat.”
Two of my favorite plaques are across the street from each other where Bush and First both terminate at Market, a wide and messy intersection featuring the city’s finest example of pure modernist architecture. Next to that soaring edifice, on a sliver of a traffic island, is a low plinth with a plaque marking the erstwhile site of a major slot machine factory in the 1800s. And on the other side of Market, set into the sidewalk at the corner of First, is a plaque stating that the original shoreline of the city used to be 25 feet to the north-east - now, a heavily-trafficked transit corridor. The sea, the slots - all gone, long gone now from there. All that remains are the plaques - and the dorkballs like me who trip people up by standing still in traffic to read them.
Many tourists take photos of themselves with plaques, usually from a sufficient distance that the plaque cannot be read. So if you didn’t jot down some notes, all you’ll be able to say when you show off the photos is “That’s me at the bronze plaque where they arrested Ginsberg after he read Howl, or where the Federal Mint got blown up, or where the world’s oldest chinese-italian restaurant is. Hard to tell. But it was highly memorable. Hence the plaque.”
Hence, indeed. These poor benighted fools need some historical markers that are worth remembering, so when the photos come back they can remember instantly, forever, why that spot merited a snapshot. As a public service (for I am nothing if not embarassingly public), I hereby suggest that plaques commemorating the following high-value cultural artifacts and accomplishments be cast in bronze and mounted on random edifices downtown:
* Buddhism Founded, 700 bce (Tuesday March 4) - Get Serene!
* Golem Loosed Upon City From This Location In 1853; Only the Righteous Survived
* Yalta Conference (Dress Rehearsal), 1944
* S.L. Clemens Here Coined the Word “Hella,” 1888
* America’s First $5 Latte, 1991
* “Tastes Like Chicken” First Applied to Non-Poultry Foodstuff, 1869
* MYSTERY PLAQUE: Something Really Cool Happened Here A Long Time Ago But We Can’t Tell You What
* If Napoleon Weren’t French, He’d Have Been Buried Here
* Site of WeinerTown and the WeinerTown Ball: 1893-1931
* Underware Purposely Exposed Over Waistline of Pants as Fashion Statement for First Time: 1984
* At This Site, Four Out of Five Dentists Chose Dentyne (for their patients who chew gum): 1977
* Look Out! Behind You!
Thanks for your cooperation and support in this matter. I will look forward to seeing pretentiously brazen signage and befuddled tourists around downtown, starting forthwith. And for god’s sake don’t ask me for directions. You’ll hear crap about this town even I don’t know where it came from.
that's just the way it seems to me at 08:46 AM
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Monday, September 01, 2003
Philo Style
Written Sunday 6:30 pm:
The neighbors are screaming at each other again. I think she’s thrown him out, and he’s hollering a blue streak at her; she’s shredding the air with her screech of a response. Luckily, they’re jays, hopping from beech tree to laurel to oak, two actual blue streaks, and their cries seem entirely proper and welcome. I’m lying in a hammock strung between two kindly pines, shaded by heavy boughs from the sun as it drops toward the horizon, gently swaying in the early evening breeze that rolls in from the sea twenty or so miles to the northwest. Kel is about forty feet away up on the deck with a fluffy magazine, having tired of her schoolwork; Wes Montgomery is playing on the stereo inside and a note or two occasionally reach me at my idyll looking across the long narrow valley. Cos is wandering the area between us, a goofy smile on his enormous face, sniffing a million unimaginable stinks and scents.
A few snapshots from the trip, developed instantly: on our last visit here it was mid-spring and the dominant theme in the landscape was flowers - an astonishing, eyepopping variety and profusion everywhere and anywhere. Now, in late summer, the theme is fruit - apple orchards not only bent double with ripening fruit but redolent of it too; peach trees hiding ruby bounty, budding prizes even more succulent for being so well concealed (I felt almost perverse when I stooped to enter under the leafy branches and touch the clustered, downy delicacies); brambles of blackberries choking the shoulders of the highway, pressing up against the windows of restaurants, tumbling madly down hillsides, and all spangled with every phase of the berry, from flowers to nubbins to greenfruit to black juicy fantasies, each drupe thick with syrup and glistening in the broiling sun (and set off perfectly by firey poison oakleaves that stayed my hungry fingers); and of course the grapes, everywhere, on steel wires and weathered wood arbors, covering whole hillsides, the leafy greenness of the vines complimenting innumerable heavy dusty bunches of green and purple fruit… though the grass is dry, the earth’s bounty seems even more prolific than it did three months ago.
And, on a related theme, roadkill. So many animals left flattened on the highway - and so strangely many of them skunks, plus one vulture: undoubtedly he stooped to the tarmac to feast on a dead skunk (we could smell it) and, with the passing of a heedless and invincible vehicle, became a victim himself, a huge black wing stretched out across the roadbed… Kel even saw one skunk that had been painted over with a double yellow line when its corpse hadn’t been moved by a road crew. It’s almost funny, but then you remember, it used to be his valley, not ours.
Home from supper last night, up atop our lonely mountain, the moon was a pockmarked crescent resting in a plate of lighter darkness, and the milky way spilled from horizon to horizon with a terrible carelessness that just doesn’t translate down in our home in the city. Mars, at a 60,000 year proximity, shone with a salmon passion, brighter than electricity, a steady spotlight 320,000 miles away.
After breakfast today, without detouring off the road back to our cabin, we stopped at three excellent and very beautiful wineries, tasted 15 or 20 wines, bought three bottles and a cookbook before we regained our self-control (that is, made it back to our little dirt turnoff into the hidden vales of the north side of the valley). Later in the afternoon we drove down to a state park full of redwoods and sorrel and the Navarro River, now a shadow of it’s torrential winterfed aspect, a lazy creek across which I slowly strolled; the water was shallow and calm and very clear, cool and vibrant and life-affirming. I can feel it lapping at my ankles even as I recline here now. And on the way up the hill to the cabin afterwards, we stopped to let some quail cross the road, and then a few minutes later for turkeys who sprinted the oaken slopes with inspiring alacrity. Delicious burritos from the local market for supper and now nothing to do but experience the evening as it slowly envelops the valley. It is a pleasure to be alive.
***
written Monday Night at home:
The drive back home was especially scenic; we went out of our way. I’m really busy this week and I’ll catch up with you all when I can. But I’m going to ride this weekend for every inch I can get out of it.
that's just the way it seems to me at 09:41 PM
the story of my life (abridged) •
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